If you’d like to make the white balance as efficient and accurate as possible, you should pick a portion of your image that contains pure white or gray color. Just select the White Balance eyedropper and click to sample an area in the Program Monitor. Known Issues Tutorial:Premiere Pro 1.5 Essential Training. In essence, these allow you to set the white balance within the frame with a single click. In the Effect control panel, use the color picker to select your screen color. Go to the Effects Panel and add the Keylight effect to your clip. Main Page All Pages Community Interactive Maps Recent Blog Posts Premiere Pro FAQ. In Premiere, att your in-front-of-camera shot at the top of the stack, and crop the edges, so it is just your actors on the plain background. You’ve got your cloudy background successfully added to your footage. Pages dealing with the garbage matte in Premiere Pro.
Now you can go ahead and place the sky footage below your source layer. This is something you will use a lot in After Effects. This will use the white areas of the matte to ‘remove’ the according areas of your source layer below. Place your source footage below the matte, and set the Track Matte of the matte to ‘Luma Inverted’. Once you have your clean matte created here is how you knock out the background.
Depending on the motion in the footage you might have to animate this mask to not accidentally mask out areas that you want to keep in your matte.Īs a final step for the matte, you still might have to do manual rotoscoping to keep areas in your matte, that the color effect has clipped out, for instance, the highlights on the face of the talent, that still have been light by the light source behind him. So after applying the color effect you will still have to create a garbage matte to clean up the matte and as seen in the video he is doing that by simply creating a mask around the talent and inverting it. Probably not going to work as well with flat color footage with even lighting.
Again this will work best when you already have a pretty contrasty shot. When you apply black & white nodes to the color wheel you will get a good high contrast representation of your sour footage. So start off by applying the Colorama Effect to your layer and apply the Ramp Grey preset to the Output Cycle. de la Vega to replace the sky easily when your source footage does have a contrast. Michele Yamazaki, Pluginologist at, shows you a fast and simple method of creating garbage mattes for your green screen footage. As always there are multiple ways to achieve the desired result, but here is a neat technique from C.M. Sky Replacement with After Effects is something you’ll probably encounter a lot when doing post-production and motion-graphics.